China and the Cult of Globalised Consumption. 3 parts (Vol. 1: Paper Shoes / Vol. 2: Essays / Vol. 3.: Paper Products). (48,00 €, ISBN: 978-3-86335-715-3)
Bundesarchiv (BA), R 43 II/1279a, vol. 10, letter of 18 November 1942 from Hans Posse to Martin Bormann. 31 See BA, R 43 II/1279a, vol. 10, letter of 22 November [...] from Martin Bormann to Hans Heinrich Lammers. 32 See BA, R 43 II /1279a, vol. 10, letter of 13 December 1942 from Hans Heinrich Lammers to the Reichsfinanz
Kunstsammlungen Dresden Vol. 1/2017 · Sehnsucht Italien ISBN 978-3-95498-278-3 Vol. 2/2017 · Kunst + Medizin ISBN 978-3-95498-308-7 Vol. 3/2017 · Menschen im [...] im Museum ISBN 978-3-95498-330-8 Vol. 4/2017 · Engel ISBN 978-3-95498-358-2 Office of the Director General Marion Ackermann, Die global vernetzte Welt [...] Venezia e Parma, in: Ricche Minere. Rivista semestrale di storia dell’arte, Vol. 7 (2017), pp. 60–81 Uta Neidhardt, The Development Process of the Dresden
hen Vorbil- dern, 2 vols., publication of the Stiftung Ernst Schneider, Schloss Lustheim, and Renate Eikelmann (Munich, 2013) vol. 2, pp. 334– 335, no [...] 11588/artdok.00007290. 9 See Holger Starke (ed.), Geschichte der Stadt Dresden, vol. 3: Von der Reichsgründung bis zur Gegenwart (Stuttgart, 2006), pp. 351– 354; [...] Collections. See also Holger Starke (ed.), Geschichte der Stadt Dresden, vol. 3: Von der Reichsgründung bis zur Gegenwart (Stuttgart, 2006), pp. 351– 355
China and the Cult of Globalised Consumption. 3 parts (Vol. 1: Paper Shoes / Vol. 2: Essays / Vol. 3.: Paper Products). (48,00 €, ISBN: 978-3-86335-715-3)
Palais zu Neustadt bei Dresden, und zwar über das sächsische Porzellan, Vol. 2“ von 1779 ursprünglich die enorme Anzahl von 871 Koppchen und Unterschalen
lavish design, four times a year. Vol- ume 1/2014 reported on courtly art and artists from Saxony and elsewhere; Vol- ume 2/2014 provided new information [...] ranean sculptures from the early Aegean period to the end of Hellenism) and Vol- ume IV (reliefs from the time of the Roman Empire; inscriptions, stone utensils) [...] pp. 69 – 85. Also: Schriften zur sächsischen Geschichte und Volkskunde, Vol. 46, com- missioned by the Institut für Sächsische Geschichte und Volkskunde
Staatliche Kunstsammlungen Dresden Vol. 1/2015 – Weltbilder Vol. 2/2015 – Schatzkunst Vol. 3/2015 – Kunst im Krieg 1939 – 1945 Vol. 4/2015 – Holz Gemäldegalerie [...] König, Cologne Gerhard Richter Archiv Gerhard Richter. Catalogue Raisonné, Vol. 4, 1988 to 1994 (in German and English), revised, published for Staat liche [...] glasses: R. H. Brill, “Chemical Analyses of Early Glasses, 1999 – 2012”, 3 vol- umes. These volumes are not available online or in print in other Dresden
Drawings of Sergei Parajanov), in Changing Societies & Personalities, 2022, Vol. 6, No1, 197–216, 206. [doi] Geloopter Ausschnitt aus Sergej Paradjanovs "Kiev [...] and the Illusion of Motion, in Texas Studies in Literature and Language, Vol. 60, No. 2, 2018, 246–268, 251.. [jstor] 6 Godard, Jean-Luc in Parajanov: [...] Joyce-Inspired Vision of Cinema, in: The Modern Language Review, Apr., 2006, Vol. 101, No. 2, 472-487 [Link] The gold frame appears again later, swinging back
(1990), “Pioniere der deutschen Kolonialpolitik,” Deutsche Kolonialzeitung, Vol. 17, N° 2, 11 Jan. 1900, p. 15. Works cited Bauer, Heinrich. (1900, 11 Jan
Münzen sind wie folgt zitiert: RRC M. H. Crawford, Roman Republican Coinage, vols. I–II, Cambridge 1974. LG P. Le Gentilhomme, Les quadrigati nummi et le dieu
Experience (2012), Nr. 2, S. 271–186, [online: http://encompass.eku.edu/jme/vol2/iss1/]., Frank Usbeck, Fighting Like Indians. The “Indian Scout Syndrome”
(Hg.), XV International Numismatic Congress Taormina 2015 – Proceedings, vol. II, Rom/Messina 2017, S. 666–670., Wilhelm Hollstein, Marion Hollstein, Ein
REINVENTING GRASSI.SKD
in GRASSI Museum Leipzig
Reinventing
Through our Future Program REINVENTING GRASSI. SKD, funded by the “Initiative for Ethnological Collections” of the German Federal Cultural Foundation, we will be redesigning our museum in the upcoming years extensively. Step by step, we want to transform ourselves into a Network Museum in which different voices have the opportunity to speak and different regions have the ability to connect with each other. Together, we will be casting critical perspectives on the ethnological collections, their acquisition, and exhibition history
When you play our YouTube or Vimeo videos, information about your use of YouTube or Vimeo is transmitted to the US operator and may be stored. In addition, external media such as videos or fonts are loaded and stored in your browser.
Upcoming events
Reservation request for the event
Here you have the possibility to register for an event. We are looking forward to your message.
Werden Sie Teil unserer Handarbeitscommunity! Mitmachen können alle, die Lust auf Handarbeit haben. Freitags üben wir uns in Handarbeitstechniken, wie dem Stricken oder Häkeln.
Willkommen im Universum der fantastischen Tiere, legendären Mischwesen und seltsamen Kreaturen. Sie sind bis heute in uralten Mythen, machtvollen Religionen, Sagen und Märchen, Filmen und Computerspielen lebendig. Einige dieser Wesen finden sich im Museum wieder und erzählen uns ihre Geschichte. Anschließend wollen wir selbst kreativ werden.
The project report on the provenances of the collections from Togo under German colonial rule (1884-1914), which are stored at the Museum für Völkerkunde Dresden and the GRASSI Museum für Völkerkunde zu Leipzig, has been published. We are delighted to be able to share the results of the project, which was funded by the German Lost Art Foundation, with the public. The short version of the report has been published in three languages and can be accessed here.
The State Ethnographic Collections Saxony present a new online platform where historic documentation of the ethnological museums is now publicly accessible.
Multimedia tours
Experience artworks online with our multimedia tours. Get insights and background information on specific artworks before, during and after your visit to the museum.
In this recent photography project Berlin artist Anja Nitz deals with the cultural frames for institutionally motivated collecting. Her perspective makes the boundaries between collections, objects, and daily work routines in depots blur to some extent.
Privacy notice
When you play our YouTube or Vimeo videos, information about your use of YouTube or Vimeo is transmitted to the US operator and may be stored. In addition, external media such as videos or fonts are loaded and stored in your browser.