carte blanche
The principle of the "carte blanche" changes the rules of the ethnological museum. The exhibition is not shown from the point of view of a European ethnologist; instead, the artists of Kinshasa are themselves conveying their concerns to museum visitors, without filters: Colonial past and its effects, violence, oppression of women, war, corruption, exploitation, environmental destruction, cultural heritage, spirituality, urban everyday life. Traditional sculptures and masks from the Congo appear in many of the contemporary works of art and thus link not only the past with the present, but also the museum's Congo holdings with the metropolis of Kinshasa.